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Serenity ~ La Mamounia

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LOLA REID ALLIN: Winston Churchill famously advocated that if travellers had but one day to experience Morocco, that one day should be in Marrakech. This metropolis, used for one thousand years by southern tribes and Berbers socializing and trading, likely began as most desert meeting places, a higgledy-piggledy collection of blanket-tents situated around an oasis.

Several unique architectural creations dominate the ancient stone-walled medina. It's a vibrant city-centre bounded on the north by sprawling souks offering a multi-coloured cornucopia of leather and sheepskin, wood, jewellery, copper, and textiles. Just inside the city's southern walls, the intricately carved white columns within the once-forgotten crepuscular Saadian Tombs, contrast with the soaring Koutoubia Minaret, dominating the incomparable Plaza Djemaa el Fna, the 'assembly of the dead.'

Without this plaza, festooned until not-so-ancient-times with the severed head of traitors and criminals impaled upon stakes, Marrakech would have little to distinguish it. From sunrise to midnight, children and adults, travellers and locals, Moroccans and foreigners meander the haphazard lanes of the Djemaa el Fna. Snake charmers, scribes, soothsayers, herbalists, tooth-pullers (caution: they are not dentists), barbers, musicians, acrobats, and henna ladies anxiously await the next business opportunity. Protect your valuables, don't accept anything as a 'gift,' and keep your hands in your pockets: seizing a wayward hand, the henna ladies immediately start 'tattooing.' And how can you walk away with an incomplete design? "Only 50 dirhams."

By night the centre of this square transforms into a moveable feast. Overarched by wafting smoke curling from dozens of canvas awnings, chefs with white pillbox hats grill fresh vegetables, fish, lamb, beef, and goat. Hundreds of people shop and saunter before choosing a bench table for supper where straw hats and barren heads mingle with baseball caps and hijabs.

When you are inevitably overwhelmed by the hullabaloo and the hucksters, stroll five minutes west to the legendary Hotel La Mamounia, which is barricaded from reality by 15-foot-tall stone walls and gates staffed with effective security guards to approve your attire and your daypack. The outdoor pool is reserved for guests staying in the hotel, but by prior arrangement you can luxuriate in their magnificent tranquility pool. Pamper your body and soul with products created using ancient Moroccan recipes. Explore the authentic hammam, a Moroccan steambath. Let your pores be deep-cleansed by African black-soap, a puzzling but effective concoction of cocoa butter mixed with water filtered through the ashes of tree leaves and bark. Choose perhaps a ghassoul clay mud bath or an argan tree oil massage, chased by refreshing rose or orange water emollient.

Extend the experience to enjoy La Mamounia's luncheon on the patio. Absorb the cool tranquility of the gardens, ponds, and pavilions of this exclusive hotel. Before long, in spite of your intentions, you will wonder what might be happening outside this sheltered enclave amid the frenetic tumult of the Djemaa el Fna.

 
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Article Pic Biography
Award winning photographer Lola Reid Allin's admiration of indigenous cultures began in early childhood. The allure of these fascinating and remarkable cultures eventually spurred her studies of anthropology, psychology, and genetics (University of Waterloo Psychology).

Following a ten-year career in commercial aviation during which she piloted single & multi-engine land and floatplanes to acquire nearly 6,000 hours of flight time, she commenced an ethnographic study of the Modern Maya in 1992.

Lola relocated to Mexico in 1993, traveling extensively from her home there throughout Mesoamerica, living with four different Maya groups in their homes. She now returns regularly to Belize and Mexico to continue her photographic journal of their lifestyles.

While living in Mexico, Lola sold her watercolour paintings to visitors from around the world, conducted lecture presentations to travelers using her slide photographs of the Maya and their ancient archaeological sites, and led guided expeditions to the nearby aviary and archaeological sites. Her lecture circuit continues in Canada using images of nature, travel, and wildlife in addition to those of the Modern Maya peoples and their ancient cities.

 
       
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