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Desert Days

Each day was the same. Different.

Article Pic

LOLA REID ALLIN: Sweeping sand dunes embraced us. We roamed, our vista sand and dunes and sky. Many had traveled here before, but never did our pathways traverse their trails. Swirling sand grains danced with any breeze that offered, swiftly erasing memories.


On occasion, Khalid, Ali, and I encountered vacant tent camps abandoned by their Berber residents, who had gone to the cities to make money for a few days or many weeks. Tree branches supporting woven wool blankets created spacious shelters. Ragged blanket corners wavered in the breeze. Each blanket pattern and colour differed from the next, creating a kaleidoscope of colour to contrast the sand, golden like poplar leaves in autumn.

Deep within Erg Chebbi, the Sahara of Morocco, we sight our own Berber-blanket tent camp, snug within a narrow valley. Sheltered by encircling djembe-toned sand ridges and sun-kissed crests, my camel knows this place. Our familiar tango begins. As 'Jimi (Hendrix)' starts the process of repose, his forelegs seem to crumble. We lurch forward then downward then backward as his rear legs kneel. In tune with the rhythm, somehow I remain seated at ease upon the saddle. An ingenious affair, the two-metre long, five-centimetre-thick felted pad saddle created a wide, flat platform which encircled but did not cover, his dromedary hump. It was secured in three places with sturdy commercially-woven bindings around his generous girth to eliminate saddle slippage and a solid steel handlebar minimized rider slippage.

While Khalid removed saddle and harness, Jimi munched on leafy branches I cut from a nearby bush. His large lips daintily examined the foliage. Then, giant buckteeth, discoloured as if he chewed tobacco, stripped the greenery from the tender branches. Unlike any horse I have known, he seemed aware of the boundary between his lip, his teeth, and my hand. Not wasting, he lazily pulverized the branches. Then needing more and now unfettered, Jimi wandered the oasis searching low palms and lace-leaved bushes for succulent leaves.

Scooping sand away from a solitary post, Khalid exposed a 30 cm diameter black plastic lid. The lid removed, I observed a companion emerald green plastic bucket, with the bottom excised. Khalid pulled on an attached rope bringing up the bottom half of an orange-coloured plastic bleach bottle, containing the first of ten small buckets of water.

Ali prepared vegetarian tajine and couscous. I wrote in my journal and took photos. We spoke little, protected within the blankets from the chilling night breezes and warmed by mint tea. Hours later, around eight, we shared our meal. Another cool, silent evening passed.

 
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More from Lola Reid

 
 

Article Pic Biography
Award winning photographer Lola Reid Allin's admiration of indigenous cultures began in early childhood. The allure of these fascinating and remarkable cultures eventually spurred her studies of anthropology, psychology, and genetics (University of Waterloo Psychology).

Following a ten-year career in commercial aviation during which she piloted single & multi-engine land and floatplanes to acquire nearly 6,000 hours of flight time, she commenced an ethnographic study of the Modern Maya in 1992.

Lola relocated to Mexico in 1993, traveling extensively from her home there throughout Mesoamerica, living with four different Maya groups in their homes. She now returns regularly to Belize and Mexico to continue her photographic journal of their lifestyles.

While living in Mexico, Lola sold her watercolour paintings to visitors from around the world, conducted lecture presentations to travelers using her slide photographs of the Maya and their ancient archaeological sites, and led guided expeditions to the nearby aviary and archaeological sites. Her lecture circuit continues in Canada using images of nature, travel, and wildlife in addition to those of the Modern Maya peoples and their ancient cities.

 
       
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