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Algeria ~ Beyond the Dunes

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LOLA REID ALLIN: Leaving my B&B Riad Dar Kamar concealed within the tangled lanes of Kasbah Taourirt in the village of Ouarzazate, I boarded the local bus, filled with Moroccans. Drawn irresistibly to the vast panoramic potential of the desert, I began my second foray on dromedary into the Moroccan countryside, the Western Sahara.

Without prior arrangements, I planned simply to arrive at Rissani, an implausibly conservative village. Meandering tortuous sandy lanes, dodging horse-and mule-drawn carts and black ghosts - women cloaked in the abaya, with only hands, feet, and the occasional face visible, a statement underlining their modesty not their religion - I would be sought and hailed by hawkers bidding desert safaris.

A lanky black-leather-jacket-clad traveler wearily slouched upon the seat opposite me, gazing outward. A stark white Moroccan turban accentuated his lined, espresso-bean-coloured skin and scruffy beard stubble. We said nothing until hours later, having passed all points of disembarkation; we realized our destinations must be similar. He suggested Auberge Kasbah Lahmada, The Black Desert. Nestled against the dunes of Erg Chebbi, this auberge boasted sandcastle sleeping quarters, Berber-blanket tent camps, camels, chefs, and guides. Of course, Khalid just happened to work there as a guide.

Mildly apprehensive, I agreed to this plan and was soon squished with 6 others in a Moroccan Grand Taxi. As we sped along the pavement to Rissani, I decided that the appearance of the driver (contacted by Khalid's mobile phone) and the condition of this transport to Kasbah Lahmada would determine my decision to accompany him - or find accommodation somewhere in Rissani.

Long shrouded by darkness, we finally arrived at Rissani. Khalid gestured to his handsome and well-groomed driver, seated in an immaculate late-model 4X4, two antennae spiking from the roof. Moments later, still pondering my decision, we bounced along the dirt-and-rock roads, scarcely illuminated by weak streetlights. Hastily we exited the civilization of Rissani's earthen structures. Almost immediately only the starlit sky guided me as we abandoned all roads.

We crossed the desert another hour before passing between massive gates - square pillars of sand, intricately carved with symbols. Inside the walls, awaited a delicious vegetable tajin accompanied with Moroccan whisky (tea!). The owner and I charted a plan for my camel safari to begin the next morning at 08hours00. Exhausted, I clambered behind the heavy blanket curtains of the four-poster bed in my room.

A few camel-hours beyond the flat, hard-packed Lahmada strewn liberally with black rock, early afternoon brought bountiful wilderness vistas. The sun embraced the sensuous ridges and ravines creating a sumptuous palate of golden hues. The wind danced with Erg Chebbi, swirling and tossing her grains of sand, recreating curves. In the distance beckoned the blue hills of Algeria, forbidden to enter from Morocco, the ridge containing us like protective Kasbah walls.

 
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Article Pic Biography
Award winning photographer Lola Reid Allin's admiration of indigenous cultures began in early childhood. The allure of these fascinating and remarkable cultures eventually spurred her studies of anthropology, psychology, and genetics (University of Waterloo Psychology).

Following a ten-year career in commercial aviation during which she piloted single & multi-engine land and floatplanes to acquire nearly 6,000 hours of flight time, she commenced an ethnographic study of the Modern Maya in 1992.

Lola relocated to Mexico in 1993, traveling extensively from her home there throughout Mesoamerica, living with four different Maya groups in their homes. She now returns regularly to Belize and Mexico to continue her photographic journal of their lifestyles.

While living in Mexico, Lola sold her watercolour paintings to visitors from around the world, conducted lecture presentations to travelers using her slide photographs of the Maya and their ancient archaeological sites, and led guided expeditions to the nearby aviary and archaeological sites. Her lecture circuit continues in Canada using images of nature, travel, and wildlife in addition to those of the Modern Maya peoples and their ancient cities.

 
       
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